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The set fits snugly into Shimbashi's cozy Dentsu Shiki Theatre, the one balcony extending high into the rafters, where a gigantic dragon stares ominously into the audience as if only awaiting the command to come to life. Outside, the lobby has a canyon-like feel, with ripples of water forming shimmering waterfalls that flow through three stories of high inverted archways.

The mid-sized cast—less than 30 members in total—move through a series of agile sets that transform from schools and bedrooms to bridges and towers, and from dark and smoky forests to the green-saturated Emerald City itself. The first act plays like a high school odd-couple drama with Harry Potter thrown into the mix: Glinda is the popular girl at school, a regular wand-wielding Heather, while Elphaba Asami Higuchi , fated to achieve infamy as the Wicked Witch of the West, is a green-skinned pariah who has only come to school to care for her paraplegic sister, Nessarose Mayumi Ogai.

Though they instinctively loathe one another, Glinda and Elphaba eventually form an unlikely friendship, only to quickly find themselves competing for the affections of the dashing and dim-witted prince Fiyero Yusuke Kitazawa. The stage bends to her will, bathing her in intersecting spotlights, isolating her in a field of throbbing azure, or turning pitch black as she rises into the sky to send Emerald City soldiers sprawling on their backs.

Revealed are the origins of the ruby slippers, the cowardly lion, the tin man, the scarecrow, and even the relation between the Witch and the Wizard, played by an avuncular Takeshi Matsushita.